His work displayed at the main Biennale and Russian pavilion were completely opposite, but not at all in a negative way. In the main pavilion his pieces were on the white wall, but in the Russian pavilion the pieces were shrouded in the dark, lit by black lights and surrounded by pounding techno music proclaiming that Russia was going to take over the world. A very interesting contrast in display and honestly just plain fun. It went well with the "Victory Over the Future" title for the Russian pavilion.
What helped me enjoy Pepperstein's work is also the fact that all the text in his work is in English. It made me wonder if I would still have been more intrigued by his work if I didn't understand what the clouds were saying to each other. It's something I'm still curious about actually...
No comments:
Post a Comment